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SCALE TYPES

Experimental

Chris Banta - Experimental Contra Bass Marimba (1974)
Chris Banta - Experimental Contra Bass Marimba (1974)
Chris Banta - Experimental Contra Bass Marimba (1974)
Chris Banta - Experimental Contra Bass Marimba under construction at Cal-Arts (1974)
PerformanceAtCal-Arts-1974

Contra Bass Marimba (1974)

Model: C15S | 5 Notes (C1, D1, F1, G1, Bb1)

Client: John M.

CCBANTA-LogDrumsImprov1-WithMallets
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Instrument Description Sheet

<--WRONG RECORDING

1974 Video: "In Search of the Lower Notes" by Bruce Nolte

Marimba Constructed at the Cal-Arts Super Shop (No Sound)

SCALE TYPES

Non-Specific Scales

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C15S-Back-LG
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Contra-Bass Marimba - Random Pitches (1974)

C1, D1, F1, G1, & Bb1

Sub-Contra Bass | Contra-Bass | Bass | Baritone |Tenor | Alto | Soprano

Client: David Ahlstrom (San Francisco Youth Opera)

CCBANTA-LogDrumsImprov1-WithMallets
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Instrument Description Sheet

Two-Tongue Log Drums

 

Single Tongue Log Drum


2 x 4 Marimba

1979 Chris Banta Log Drum Set. (Front to Back) Sub-Contra Bass | Contra Bass | Bass | Baritone | Ten
Chris Banta Log Drum Set (1979)
Chris Banta Log Drum Set (1979)
Chris Banta Log Drum Set (1979)
Log Drum Literature Sheet (Front Page)
Log Drum Literature Sheet (Back Page)
Chris Banta Log Drum Set (1979)
Log Drums on display at the 1979 National Association of Music Merchants (NAMM) Convention

Log Drums [Two Tongue] (1979)

Two pitches per drum | Set of 7 drums

Sub-Contra Bass | Contra-Bass | Bass | Baritone |Tenor | Alto | Soprano

Client: David Ahlstrom (San Francisco Youth Opera)

CCBANTA-LogDrumsImprov1-WithMallets
00:00 / 01:04

Instrument Description Sheet

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One for the Kids (1981)

 Scrap Marimba Parts / Random Pitches

L: Adrienne Banta (3yrs.)  R: Monica Banta (13 Mo.)

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Rhythmic* Bass Marimba (1991)

Model: G17S | 7 Notes | G1, Bb1, C2, D2, F2, G2, C3

Client: Kids Space Museum, Pasadena, CA

*Explanation of the term "rhythmic":  In this instrument configuration, there is only a single row of [designer] selected pitches.   The goal is simply to create and execute repetitive rhythmic patterns within the limitation of the notes on the marimba.  Tempos, rhythms, and repetitive note combinations are in the control of the performer - just not the pitches.  

The audio examples below demonstrate such rhythmic patterns

Specification Sheet

Engineering Design Specification

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7-Note-Pattern2
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7-Note-Pattern3
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Rhythmic Marimba (7-Notes)

C1, D1, F1, G1, & Bb1

Sub-Contra Bass | Contra-Bass | Bass | Baritone |Tenor | Alto | Soprano

Client: David Ahlstrom (San Francisco Youth Opera)

CCBANTA-LogDrumsImprov1-WithMallets
00:00 / 01:04
LAPR-Logo.jpg
Available for rent from
LA Percussion Rentals
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Rhythmic* Bass Marimba (1991)

Model: D111S | 11 Notes | D1, G1, A1, Bb1, C2, D2, Eb2, F2, G2, A2, C3

Clients: (1) University of Southern California (USC) Music Dept, (2) LA Percussion Rentals

CCBANTA-OT-Marimba-Improv2
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Engineering Design Specification

Rhythmic Marimba (11-Notes)

C1, D1, F1, G1, & Bb1

Sub-Contra Bass | Contra-Bass | Bass | Baritone |Tenor | Alto | Soprano

Client: David Ahlstrom (San Francisco Youth Opera)

CCBANTA-LogDrumsImprov1-WithMallets
00:00 / 01:04
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Novelty Mini  Marimba (2009)

Model: G34S | 4 Notes | G3, B3, D4, G4

Client: Gift

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Log Drums (Double Tongue) (2014)

Sopranino, Soprano, Tenor, Baritone, Bass, Contra-Bass, xxx, and xxx

Client: Composer, Chuck Jonkey

CCBANTA-OT-Marimba-Improv2
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Chris Banta - Garden Marimba (2016)
Chris Banta - Garden Marimba (2016)
Chris Banta - Garden Marimba (2016)
Chris Banta - Garden Marimba (2016)
Garden Marimba with player (2018)
Garden Marimba with player (2018)
Garden Marimba with Chris Banta playing (2018)

Garden Marimba (2017)

Model: F14s | 4 Notes | F1, Bb1, Eb2, Ab2

Client: Local Gardner

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** SCIENCE FACTOID **

 

The pitch from the longer/lower bars is weaker than the pitch from the shorter/higher bars.   

 

This instrument demonstrates that the quality of pitch resonance is based on its column length in relation to its column width.  For example:

 

  • A resonator whose length is twice as long as its width would represent a length-to-width ratio of 1:2

  • A resonator whose length is four times as long as its width would represent a length-to-width ratio of 1:4.

​

The larger (wider) the width to its length (1:2) creates a fatter more substantial resonant tone.  The larger cross-section is able to move more air thus bringing more energy to the eardrum.

​

In opposite, the smaller (skinnier) the resonator width is to its length (1:4), its energy cannot drive or push the surrounding air with much force.  Instead, the energy it creates is small compared to its larger cross-section counterpart, and hence not as loud.

​

What the recording demonstrates is the lower pitched, or longer resonator tone sounds much thinner than its shorter counterparts.

​

...and, the higher pitched or shorter resonator tones sound much fuller or fatter in sound.

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Novelty Mini  Marimba (2021)

Model: G34S | 4 Notes | G3, B3, D4, G4

Chris Banta Estate

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