MARIMBAS
Tenor and Bass Models
MARIMBAS
Tenor and Bass Models
MARIMBAS
Tenor and Bass Models
About
About
About
About
CCBANTA
The Romance of Instrument Design and Bar Percussion Specialties
Research & Development in Bass Marimba and Bass Tone Bar Designs
DEC 27, 2024
BASS TONE BARS
Features
IN GENERAL...
Powerful - Powerful bass tones fill the room. Large wide-scale bars and cavity resonators, result in substantially louder tones than thin narrow-scaled bars and column resonators used in commercially-designed standard and bass marimbas.
Deep - Extended low end frequency covers the range from Tenor C (C3) = 130.8Hz down to Contra Bass C (C1) = 32.7Hz.
Note: If interested in pitches below these ranges (e.g. Sub-Contra Bass [C0 – 16.35Hz]), please contact Chris to discuss.
Accurate - Pitches are tuned to the A-440 (Hz) pitch standard and are accurate to within +2 / -0 cents at 70-degrees F. True strobe tuners (having mechanical rotating-discs) are used, along with a CCBANTA specifically-designed test equipment and testing procedure, to measure the tuning accuracy of the bar, the resonator, and the coupling of both components for maximum resonance.
Durable - Robust bars are made of hard maple and protected with a multi-coat water base finish, which makes them practically indestructible from heavy-handed playing. Bars are suspended with a heavy duty cord and spring tensioning system. Resonators are made of ¾-inch void-free Baltic Birch plywood and are structurally braced so there are no functional losses while being played.
Amplifiable - In addition to the acoustic resonance of the pitch, each bar contains a piezo-electric transducer and 1/4-inch jack. This allows for each tone bar to be plugged into a mixer/amplifier system so the bar's vibration can be amplified electronically. To feel the full power of these low pitches, sound reinforcement systems containing sub-woofers are recommended.
BASS TONE BAR DETAILS
Bars
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1-1/2 inch thick hard maple
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Durable clear poly-coat (waterbase) withstands high-impact mallet strikes
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Holds tuning under rigorous playing
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Pitch and octave identification
C1 (Contra-Bass C) = 32.7Hz
C2 (Bass C) = 65.4Hz
C3 (Tenor) = 130.8Hz
Bar Suspension
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Heavy duty nylon cord
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Heavy duty spring tensioning system
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Non-fraying cord routing
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Heavy felt washers to align bar over resonator opening
Resonator
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¾-inch Baltic birch void-free plywood
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Hard maple mounts and side rails
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Walls rigidly braced for Pitches C2 and below - a crucial design feature to drive more energy out of the opening
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2-inch diameter rubber casters (one side with locking casters to prevent rolling
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Finishes: Semi-gloss clear coat (waterbase). Optional black satin.
Spring Side
Connector Side
Piezo Pick-up
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Rigid disc transducer, high impedance
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1/4-inch jack connector block
Mallets
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Mallet size and density matched to the bass tone bar octave